By Troy Paddock

ISBN-10: 0275973832

ISBN-13: 9780275973834

World battle I highlighted the impact of newspapers in rousing and protecting public aid for the battle attempt. Discussions of the position of the click within the nice conflict have, up to now, mostly taken with atrocity tales. This booklet deals the 1st comparative research of the way newspapers in nice Britain, France, Russia, Germany, and Austria-Hungary tried to outline battle, its goals, and the enemy. offered country-by-country, specialist essays research, via use of translated articles from the modern press, how newspapers of other international locations outlined the struggle for his or her readership and the beliefs they used to justify a conflict and aid governments that a few segments of the clicking had antagonistic quite a few months earlier.

During the outlet months of the conflict, governments tried to persuade public opinion functioned in a principally unfavourable style, for instance, the censoring of army details or criticisms of presidency rules. there has been little attempt to supply a favorable message to sway readers. hence, newspapers had a comparatively loose hand in justifying the warfare and the explanations for his or her respective nation's involvement. Partisan politics was once a staple of the pre-war press; therefore, newspapers may well and did outline the battle in phrases that mirrored their very own political beliefs and time table. Conservative, liberal, and socialist newspapers all principally supported the battle (the ones that didn't have been close down immediately), yet they did so for various purposes and was hoping for various results if their facet used to be victorious.

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Additional resources for A Call to Arms: Propaganda, Public Opinion, and Newspapers in the Great War

Example text

The editorial continues, In Belgium the Germans have treated the villages where any resistance has been offered to their attack with something like savagery Peasants have been shot; houses have been wantonly burnt; hostages have been seized and maltreated, or forced to march in front of the German troops where they would have been most exposed to German fire. Such are the methods of the people who claim the privileges of culture and civilization. The wanton attack upon little Belgium has already covered the reputation of Germany with the broadest discredit.

There is a suspicion that some of these photographs may have been faked—after all, a recycled photograph of ruins of the Messina earthquake would not have been difficult to pass off—but if such faking occurred, it does not appear to have been deliberate policy, but more a case of freelancers foisting such photographs on the press. The shock value of such pictures was considerable, particularly to the readership of the lower-middle-class press. The cult of domesticity was strong in the Daily Mail, which was the sponsor of an "ideal home" exhibition before the war, and the deliberate destruction of homes and public buildings in a recognizably European setting could send shock waves through its readership.

The decision to use a newspaperman to head this bureau was indicative of how it would operate; Cook was firmly of the belief that a free press would be of significant assistance to the war effort. In his postwar memoirs he made four arguments why this was the case. In his view the press could act as a guardian of the home front, as a conveyor of information, as a critic, and as a propagandist. Most interesting is his argument in favor of the press as a critic. Although the wisdom of hindsight is apparent, it does seem to be a fairly accurate description of the operation of the British Press in wartime: The newspapers served a useful purpose in preparing the way for further steps in the organization of the country for the stubborn work which confronted it.

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